The first of which is my favorite of the 4 tracks, and the current Song of Tha Moment, the song "I'll be In The Sky" by Decatur, GA musician, B.o.B. If the name B.o.B sounds familiar to you, you may remember it from the late 2007 track "Haterz Everywhere", or maybe from the track "On Top of The World" by T.I., which featured B.o.B on the hook as well as a verse from Ludacris. But trust me, those tracks pale in comparison to B.o.B's musical talents, which have led me to label him as a "musician" as opposed to a rapper. "I'll Be In The Sky" delivers a breath of fresh air to the music game, especially in southern urban music, combining beautiful production, which features a piano track played by B.o.B himself, that draws comparison to the works of OutKast with a beautifully composed hook, and a topic that differentiates from basic rap music of today. Overall, it's a terrific track, but despite being the current Jam of the Week on MTVJams, I don't look for it to climb too high on any chart.
The second new track I've heard this week was the Song of Tha Moment from January 12 until January 15, "Crack a Bottle" by Eminem featuring Dr. Dre and 50 Cent. The track definitely has a few positives going for it, one of which being the fact that Eminem appears to be returning to his old lyrical form which he assumed in the late 90s and the early 2000s. After the whole Murder Inc. beef, a very noticeable decline in Em's lyrics was apparently, but he has appeared to have shaken the dust off. Great production and a solid, Eminem-written verse by Dr. Dre add to the pros of the track. 50 Cent and his lack of lyrical ability is the one huge negative this track has, pun intended. Point blank, 50 is wack as fuck, and as they say, a chain is only as strong as its weakest link, so his verse unfortunately stops this track from reaching its full potential.
The third track is the Neptunes-produced track by Lil Wayne, "Yes". The best things this track has going for it is it's sick beat, and Pharrell's first verse, which is sadly, only 8 bars (half of a traditional verse). The one negative it has for it: Lil Wayne. I won't be completely biased however; Wayne does return to the flow that gained many fans, as well as elevated him into the status of "Best Rapper Alive", a much needed contrast from the auto-tune based singing he's been doing lately. Average Wayne dick-riders--oops, I mean fans will definitely eat this track up, and hang on to every elementary line that Wayne spits out, but I for one, would've loved to hear fellow Virigina-based artists Clipse, or anybody besides Wayne rip this track.
The fourth and final new track I heard this week is Jamie Foxx's latest single "Blame It", featuring T-Pain, from his new album Intuition. This track has a nice sound to it, thanks to a nice instrumental and a clever hook. The topic of the track however, getting drunk in the club and not being held accountable for your actions, has been sang about many times over, even by Foxx himself on his last album Unpredictable (see the track "Extravaganza"). "Blame It" however, features a more "modern" sound than "Extravaganza" did, which leads listeners like myself to wonder why a 41-year old man is following the formula laid out by other sings, most of which about half his age. Also, Jamie Foxx's beautiful vocals are buried by the dreaded auto-tune effect. Overall however, I think the track will be a transition track in the clubs, meaning it won't instantaneously fill the dance floor like, say "Birthday Sex" by Jeremih would, but it won't empty it either.
So yeah, these are the main songs that caught my ear this week, and if they aren't new to you, then that's too bad. -Trufe